ICERIGGER was my first dose of Alan Dean Foster excellence. I immediately bought and collected all of his books, except the Star Trek Logs, which had only the slightest bit of interest from me. The trilogy of Icerigger has humans stranded for a time on a frozen planet, that is globally warming. It is a first contact experience as well as a warning that even things long frozen in space can melt when heated.
MIDWORLD
In the rainforest there are many layers of life, and levels of
existence. The top of world is called the canopy, and it is visible
from the air. You cannot see the floor from there. Birds and bats and
other avian creatures live there. And from there down to the floor of
the green rich forest there are levels of existence. Each level is
dominated by various life forms adapted to their environment.
The amount of life is immense because nature allows for changes and
specializations of species in such a rich environment. The humans who
live in such a place are specialized too, using ancient methods of
hunting and survival that have kept their existence small, but
sustainable for millennia.
This planet earth has seen arguments over the destruction of
rainforests, over the reduction of areas that used to be wild. We have
untold dangers of losing wild habitats that will deeply affect the
future of our planet's health. Untold DNA and plantlife that has been
undiscovered might be lost with the death of such areas, along with the
enormous amount of clean oxygen the trees and regions produce.
Alan Dean Foster's mind created a planet where the planet itself and life forms are all literally connected.
"Born was a child of the rain forest that covered Midworld, part of the
primitive society that the peaceful jungle planet had sustained for
hundreds of years. He was wise in the ways of his world, and he knew
well the precarious natural balance that governed all things.
Then
one day the aliens came. Giants. They knew nothing of the Upper or
Lower Hell -- and they cared less. Born had risked his life to save
them, to guide them through the myriad tangled boughs, past unseen,
unsuspected dangers lurking in the underbrush. But worse than their
ignorance of how to survive, the aliens had plans for Midworld, plans
that could utterly destroy the globe-spanning forest that his people
called home.
As the days passed, Born realized his mistake. And
as he had once hunted only to live, he knew now that he would be forced
to live only to kill..."
Here are the various covers across the years of the book Midworld that
is creation of Alan Dean Foster, and by a number of great cover
artists. The German translation is literally "The Thinking Trees".
The book Cachalot by Alan Dean Foster is one of my favorites. Mostly
because it begins with a world where whales have been given a planet of
their own, to live upon and control, as a means to apologize by humans
for the destruction we've caused. I love whales, maritime mammals
emotionally move me, and the plight of the whale and the story of
conservation is very moving to me. At one time I thought I'd become a
person who would fight for the ocean mammals through art, but I am not
that talented. Mr. Foster is though. And I loved the book.
These are all pics from public domain, particularly a US government
website. I was going to use them as facebook cover pics, and then
thought, why not use them along with the covers of CACHALOT found below
to show the awesome.
I've been a fan and reader of Alan Dean Foster since I began reading
science fiction or fantasy. So it is not a surprise for me that he has
books in my all time favorite list. His work belongs there.
Wednesday, April 29, 2015
Saturday, April 4, 2015
Superman's Underpants
Several
years ago, Nicholas Cage was signed to star in a Superman movie. The movie never came through, (which is
probably for the best, all things considered), but during the brief period when
it looked possible, I saw Cage on a talk show discussing the project. He said that he had initially been leery
about wearing the traditional Superman costume, because he thought that red
briefs over the blue tights looked, well, embarrassing. The designers for the project made up some
sketches of alternative Superman costumes, and he took the sketches home to
show his son. Cage’s son was unimpressed
by them, and persuaded his father to stick with the traditional look, because
the sleeker, trendier designs didn’t Look Like Superman.
Since
then, the Superman movies which have come out, and the New 52’s Superman from
the comic books, have chosen to disregard the wisdom of the young Mr.
Cage. Whether this is a good or a bad
thing is a matter of taste; but it does bring up one of the enduring mysteries
of comics:
Why
DOES Superman wear his underwear on the outside?
Superman,
of course, was the first. The
super-heroes who followed him also followed his precedent of briefs over
tights, simply because Superman had set the model for what a super-hero ought
to look like. But even then, the
convention received its share of good-natured ribbing.
Sheldon
Meyer was arguably Superman’s very first fan.
According to his own story, when he was a young man working as editor
for comics publishing pioneer M.C. Gaines, he persuaded his boss that Siegel
and Schuster’s outlandish hero, who had been rejected by every newspaper
syndicate in the country, could be a success.
But even he recognized the silliness of superhero costumes. He created a super-hero parody of his own,
The RED TORNADO, who wore a tablecloth cape and a helmet fashioned out of an
old spaghetti pot along with – and this is the most important part -- red
woolen long johns with a pair of boxer shorts over them. Because that’s what those funnybook heroes
wore.
The
meta reason is that when Jerry Siegel and Joe Schuster created the character,
they wanted to evoke the look of circus strongmen and aerialists, and so based
his costume design on the tights worn by circus performers. Another reason which occurs to me might have
been that curved edge of the “briefs” show the contour of the figure’s torso
and legs, giving it a sense of form and making it look less flat.
But
those reasons don’t really serve as “in-world” explanations for why Clark Kent,
upon embarking as a career as a costumed hero, would dress that way.
For
much of Superman’s history, his writers have just ignored the subject. Superman looks the way he looks because
that’s the way he looks. Some of the
earlier comics depicting Krypton suggest that the briefs look was a Kryptonian
fashion, but I don’t think it was intended that way. I know of one fan who insists that the
costume is peer-pressure; that the briefs are a 30th Century style that
Superman picked up during his youthful adventures with the Legion of
Super-Heroes. More recently, it’s been
established that Ma Kent made his costume, so perhaps Clark just never wanted
to tell his mom that he thought it looked doofy.
A
friend of mine who with his wife make costumes as a hobby gave me another
perspective on this matter. He was
telling me about a really bad costume he once saw at a comic book
convention. It was of Cloak, from the
Marvel comic book CLOAK & DAGGER, and it was essentially a dark hooded cape
worn over a black body stocking. Cloak
did not wear Superman-style briefs, as the character was created in the ‘80s
after super-hero fashions had shifted a bit.
Neither was the guy in the costume wearing a jock. “You could tell,” my friend intoned
somberly. “Spandex is unforgiving. It shows EVERYTHING.”
That
seems like a practical explanation right there.
Superman has to wear something in addition to his tights for the sake of
modesty; and he wears them on the outside, because if he wore them underneath,
people could see his panty-lines which would look silly too. At least on the outside, the briefs become a
design element in the look of the costume.
But
something else occurred to me too. And
here I’m afraid I’m going to have to allude to Unpleasant Bodily
Functions. I recently read a satirical
piece pondering those questions which the movies never answer, such as: how do
movie super-heroes go to the bathroom?
Their costumes certainly don’t appear to be designed for that
contingency; which is even stranger when you consider that unlike the costumes
worn by comic book characters, these have to be worn by actual flesh-and-blood
humans.
I
can only think of a couple instances I’ve seen where this issue has come up in
the comics. One of them was a bit from
Alan Moore’s WATCHMEN in which Nite-Owl recalls a case where he had to heed a
Call of Nature while out on a stakeout.
By the time he was able to get back, the criminal he wanted to tail had
already left. After that, he says, he
re-designed his costume so he wouldn’t have that problem again. Silk Spectre does not seem particularly
anxious for him to elaborate; and frankly, neither does the reader.
But
while musing on this, it all came together:
Super-Hero Bodily Functions, The Man of Steel’s Underpants, the
Unforgiving Nature of Spandex; even Red Tornado’s Union Suit. It was all connected.
The
traditional red woolen long johns, such as those worn by Ma Hunkel in RED
TORNADO and immortalized in the classic novelty song “Walking In My Winter
Underwear” sported a flap in the back, secured by buttons, which could be
unfastened to provide convenient access when the wearer had to Do His Business. By necessity, Superman’s tights would need
something similar. Ma Kent is a
practical woman; she would have thought of these things when she made the suit.
And
when the woolen long johns were depicted in low-brow cartoons, the flap
inevitably came undone, offering a glimpse of the wearer’s hinterlands. I’m pretty sure that Supes would want to keep
his privates… er, private; so in order to do that and still keep convenient
access for moments of necessity, the obvious solution would be to cover up with
something that can be easily removed.
Like his super-panties.
That
is my theory, anyway. If an explanation
is really needed. Perhaps it’s just
better, though, to simply say that Superman dresses the way he does because
he’s Superman and that’s what Superman looks like.
It
works for me.
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