Monday, March 24, 2025

INKWELL AWARDS

Inkwell Awards’ Public Voting Now Open From March 23 – April 6

(FOR IMMEDIATE RELEASE: New Bedford, MA/USA—March 25, 2025) The Inkwell Awards is now open for fans and professionals to choose their industry favorites. The official public ballot will be available on the Inkwells’ homepage for two weeks, from Monday, March 23 through Monday, April 6.

Voting is open in five categories: Favorite Inker, Most Adaptable, Props (inkers deserving more attention), The S.P.A.M.I. (Small Press And Mainstream/Independent for non-Marvel/DC work) and All-In-One (artists who ink their own pencils). The awards cover all printed American comic books released in 2024.

Bob Almond, founder and director of The Inkwell Awards, the only non-profit organization devoted to public education and promotion of the art of comic book inking,  added, “Our nomination procedure continues to include inkers who submitted their work, in addition to those chosen by our internal nomination committee. Too many ink artists are passed over and go unnoticed by most awards events. Ours caters specifically to inkers so they can be recognized and appreciated for their best work. We encourage all who appreciate quality artwork to participate and share on social media; the more voters, the better.”

The internally-chosen lifetime achievement accolades, the Joe Sinnott Hall of Fame Award and the Stacey Aragon Special Recognition Award (SASRA) will be announced along with the ballot categories at the Saturday, July 19, live awards ceremony at their host-show, Hershey Comic Con.

The Inkwell Awards is the only official 501(c)(3) non-profit organization whose mission is to promote and educate regarding the art form of comic-book inking, as well as annually recognize the best ink artists and their work. Established in 2008, the Inkwells are overseen by a volunteer committee of industry professionals and assisted by various professional ambassadors and contributors. They sponsor the Dave Simons Inkwell Memorial Scholarship Fund for the Kubert School and host the Joe Sinnott Hall of Fame Award. The annual awards ceremony is hosted by the Hershey Comic Con.

Wednesday, March 12, 2025

TOP SHELF PRODUCTIONS announces book debuts at NYC MOCCA Fest 2025


MoCCA Fest! SHRED OR DEAD! and announcing YOU WISH (BOOK 2)!

New Yorkers will get a feast of Top Shelf talent this weekend — and readers everywhere can discover W. Bradford Gambles'  "Ingeniously imaginative" Top Shelf debut, Shred or Dead!



Amazing Top Shelf debuts at MoCCA this weekend!

If you're in the New York area, come out to see us at the 2025 MoCCA Fest this weekend, March 15-16, 2025 at the Metropolitan Pavilion! At the Top Shelf booth (tables 140-141), we'll be featuring four outstanding new members of the Top Shelf crew with brand-new books: Dani Diaz (Dreamover), W. Bradford Gambles (Shred or Dead), Kazimir Lee (Low Orbit), and Jon Allen (The Well)! And that's not all... around the floor you'll find Allison Conway, Maria Hoey, and other Top Shelf talents. Don't miss Manhattan's greatest indie-comics assemblage — we'll see you there!

*sick guitar riff* SHRED OR DEAD hits stores today!

“Grab a bag of Cromps and pop open a can of Spüz — Shred or Dead is the toastiest odyssey on wheels! Stuffed to the crust with warring skate crews, an ominous oracle, dumb babies, and a secret circus skate park, Shred or Dead is the absolute capital of comic book fun.” —Jess Smart Smiley (What Happens Next)

“Well-written, fun, and ridiculously absurd! Shred or Dead is fun for all ages!” —Warren Elliot (Almost Normal Comics)

“Shreds off the page and out the back of readers’ skulls.” Kirkus Reviews

“Ingeniously imaginative... There’s a lot of fun to be had here.” — Slings & Arrows

“Packed with absurdity and nods to skateboarding culture, this graphic novel holds appeal for fans of cartoons and might just entice those kids who frequent library parking lots with their boards.” — School Library Journal

Can skateboarding save the world?! Sam and her misfit friends are about to find out, as they level up from total noobs to cosmic heroes. Packed with unforgettable characters, mind-blowing action, and more twists than an X Games street course, Shred or Dead is the story of four weird kids with a chance to become legends… if they don’t garf it up.

Shred or Dead by D. Bradford Gambles
ISBN 978-1-60309-547-1 | Diamond Code: JAN251271
$19.99 (US) | 296 pages | Full-color softcover w/ flaps | 6" x 9"
Browse preview pages | In stores today!

Veronika starts a new job at a “wellness” startup with a dark secret... THE WELL is coming soon!

The Well has it all: the malaise of being an aimless young adult, the euphoria of new experiences, and the horror that your employers are committing crimes beyond your comprehension. This is cinema between two covers.” — Alex Krokus (Loud & Smart)

“Compelling... The Well explores the intersection of nefarious science and mid-twenties apathy in a character-heavy mystery full of twists and turns.” — Booklist

Cute characters, quarter-life crises, chemical supplements, and corporate catastrophes… Jon Allen’s cult-favorite online comic is now a must-read graphic novel! Fans of Severance, Scott Pilgrim, and Bojack Horseman will drink up every moment of this rip-roaring 720-page dramedy.

The Well by Jon Allen
ISBN 978-1-60309-549-5 | Diamond Code: FEB251228
$29.99 (US) | 720 pages | Black & white softcover w/ flaps | 7" x 7"
Browse preview pages | In stores April 8th/9th!

Advance readers are raving about LOW ORBIT — pre-order Kazimir Lee's heartfelt debut for April!

“Masterful.” — Rebecca Mickey Mock

“A tender and evocative graphic novel about the pain and joy of all our relationships.” — Tillie Walden

“An immersive story of adolescent queer experience with specificity and clarity. I loved it.” — Priya Huq

“A moving journey of self-acceptance.” Kirkus

An atmospheric and profound coming-of-age graphic novel about a Malaysian-American teen carving out her own identity in the uneasy space between friends and family.

Low Orbit by Kazimir Lee
ISBN 978-1-60309-552-5 | Diamond Code: FEB251227
$24.99 (US) | 336 pages | Full-color softcover w/ flaps | 6" x 9"
Browse preview pages | In stores April 29th/30th!

Slip into another tongue with LOVE LANGUAGES!

“This delightful graphic novel made me laugh out loud and even brought me to tears. A masterfully painted celebration of languages and love!” — Rumi Hara

“James Albon’s decadent cartooning and delicate watercolors perfectly capture the beauty and loneliness of wandering through new places that are supposed to be your home, and the specific halting beauty of intense connections forged across language barriers. I loved this book!” — Shing Yin Khor


Two foreigners in France reach across language barriers and turn each other’s lives upside down in this stunningly beautiful queer romance graphic novel, painted in dazzling watercolor, from the author of The Delicacy.

Love Languages by James Albon
ISBN 978-1-60309-557-0 | Diamond Code: FEB251226
$19.99 (US) | 296 pages | Full-color softcover w/ flaps | 6" x 9"
Browse preview pages | In stores May 5th/6th!

Readers love Jeff Victor's magical middle-grade series YOU WISH... Now you can pre-order Book 2!

“A whimsical new twist on the genie legend! This book is gorgeous!” —Jeff Smith, creator of Bone

“Bold colorization, vivid backgrounds, and expressive character design make this graphic novel feel like a full-on Disney movie.” Booklist

“Fans of Bone, Amulet, and 5 Worlds will enjoy this new series.” School Library Journal's Good Comics for Kids

“Jeff Victor is a very smart artist who knows how to work with fine art effects to bring both life and sophistication to his already emotive panels... The accompanying dialogue is fresh, witty, and heartfelt.” — Doreen Sheridan, The Frumious Consortium

“A really lovely tale that should delight both young and old.” — Richard Bruton, Comicon

Return to the magic lamp! New friends, foes, and family secrets await you as this captivating graphic novel series continues.

You Wish (Book 2): Wishborn by Jeff Victor
ISBN 978-1-60309-553-2 | Diamond Code: MAR250960
$14.99 (US) | 160 pages | Full-color softcover w/ flaps | 7" x 9.5"
Browse preview pages | In stores June 3rd/4th!



Thanks for reading!

Your friend thru comics,

Chris Staros
www.topshelfcomix.com


Sunday, February 23, 2025

WINTER BREAK MEANS READING BOOKS IN A BINGE

A CELEBRATION OF BOOKS & COMICS, & FRIENDS
By
Alex Ness
February 17, 2025


FROM THE DISTANCE:Brief discussion of politics

Due to a political system that depends on two parties, America has had a mostly stable government over the last 250 years, nothing driving ideologies too far left or too far right. There were campaigns for office that were personal, others that were ideological. But those have come to reveal themselves both with the kind of candidates of our system create. And, this isn't a critique of the American system, it had a goal of centrism by using the ideologies within limits. That is, both sets of candidates, the two major parties, has done well, with fewer disasters than are usually discussed. But the true center has lost its meaning.

By making the winning of the office of president of the US a prize, voters have become an open door to lies, flawed choices, and greed. In new president administration, the winner will declare there to be a new enemy, and debate, fight or obfuscate the ultimate goals of our country, in the congress. The less complex minded will only perceive the need for power, rather than by clarity of moral ability, even the less honorable depth of charisma to help make an argument. The spirit of compromise and spirit of governance requires everyone accepting the rules, and jointly agreeing upon the goal we attempt to fulfill. What happens if we can no longer be able to achieve what we were able to in the past, due to the desire to have your side alone winning the debate, spitting upon the lost opportunities to change the the nation into a monolithic armed camp. I mention all of this because we just had a President's day holiday, and I had to go more than a few administrations deep to find someone I could still trust as President. 

WINTER BREAK IS FOR READING:


Winter Break also includes cold air, a couch, animal companion, (in my case a purring sleeping cat), quiet, but for the purring and sound of a space heater... and a beverage. I think the best thing you can do when needing a break mentally, physically or spiritually, is use the time for pleasure reading. I think a deep dive of music works too. Anything that reminds of work, of time spent on research, or rituals or habits and/or time spent that exhausts you, needs to be forgotten and replaced by depth of writing, music or arts.

The books shown above are books mostly in the genre of fantasy, era of its creation, or works linked by the concept of imagination.

The books shown are surely not going to please everyone. I've done this for most of my life, even if I don't like the writing, the characters, there are books that are valuable even if I am not moved by the narrative story. Once a year I do a reading week to learn more what others like, to go deeper to see if I like it, and to explore how great authors and poets create with different skill sets and talents than others. I believe we might in fact assume a quality when what we are seeing and considering good or great are an artist who is different and new. And don't think I don't assume there is talent in that.

Elizabeth Moon
Juliette Marillier
Clark Ashton Smith
Robert E. Howard
Alan Dean Foster
Lord Dunsany
And Vintage books important to the genre of fantasy, weird fiction and edited by Amy H. Sturgis


MIKE BARON RULES!

Mike Baron is a friend, but far more than that, a great writer of books and comics. He also is a very funny dude.

I've been trying, over time, to establish that anyone who has an imagination, money and would like to read and enjoy a comic, should read something by Mike Baron. He is bright, savagely witted, dangerous (Black belt in Martial Arts), writes from his depths of imagination, and entertains the hell out of me.

He is a warm person, and despite not agreeing all the time, I never feel compelled to agree out of the power of his personality. He is funny and kind, but could kick my ass. He knows his Martial Arts, and I am a flabby old fart. Over time, he has offered tips, and support. Frankly, he is more trusted and beloved by other creatives than anyone I know. People from both sides of the political divide have told me talk to Baron, he is a mad genius, worthy of praise. He is writing new works, 40 year old characters, different formats, prose, comic scripts, and much more. Here are some of his most recent works...

BADGER MAD MONKEY SHOCK N ROLL #1 (OF 5)

1FIRST COMICS
NOV241567
(W) Mike Baron (A) Val Mayerik (CA) John McCrea
Mike Baron is back with more martial arts mayhem in the latest instalment of The Badger! When Badger's friend purchases an island paradise off the coast of Venezuela, it may hold the cure for cancer or the end of the world! Will Badger be able to avert this apocalyptic crisis?



BRONZE STAR  A WEIRD WESTERN TALE. with Pat Broderick
NEXUS: SCOURGE
PRIVATE AMERICAN
SHERLOCK HOLMES
BADGER NOVEL

I recommend Mike's writing, but beyond the quality of grammar, imagination, character creation, dialogue, spelling, he has a way of propelling the pace without letting loose the characterization during the action, in fact, he also mixes humor with all the action going on.

IN THE ERA OF THE MANY HIATUS

The image below shows all the works I've published or wrote that someone else published since 2022. In that start date to present I had people to collaborate with, friends to share a project with, and am able to control the stock of, since the printer is local, and does excellent work, inexpensively.

First section comprised of Chapbooks and then according to subject

Cthulhu: Madness Awakens, Cthulhu and the Dreamlands, Crash with Paul Ewert

Sasquatch: Sasquatch Encounters with Nate Barlow   The World Remains Wild with Joe Hilliard and John Morgan Neal    Rave Massacre: Glencoe MN, Blizzard 1997 with Joe Monks

Mary Shelley Considered: Biography with Michael Harmon

Skinwalker versus Berserkers, and Wrestler faces Devil's Night wrestler with Joe Hilliard

AI: AI/Cybernetics Humans with John Morgan Neal and Joe Hilliard

TWO BOOK Length works

TALES OF LOST KINGDOMS with Peter Urkowitz
SIGR Poems of the Viking era


All chap books are available starting in March, for $5 a piece and if you order more than one, I'll give a discount. I charge $10 for the two books.

I mentioned my numerous Hiatuses, and since 2020 I've had, a broken neck, frozen left shoulder, right shoulder separation or possibly frozen, possible cancer, many kidney stones, back arthritis and broken ribs, tailbone and more. I think to have put these works out, I've done well considering. 

Contact me at AlexanderNess63@gmail.com All my works done can be found here, not all are available due to being out of print.  Feel free to inquire at my email address.

Published Works AlexNessPoetry.Blogspot.Com/2007/01/My-Work.html


ERIK LARSEN SHARES A CELEBRATION OF WORKS

Savage Dragon's formative years collected at last!

This MASSIVE hardcover continues the deluxe re-presentation of the Savage Dragon's greatest adventures! Featuring team-ups with Spawn! Hellboy! WildStar! The Maxx! The Teenage Mutant Ninja Turtles! Plus: Dragon gets engaged! Rapture has a baby! And the classic showdown between God and the Devil! SAVAGE DRAGON: THE ULTIMATE COLLECTION VOL. 3 is a must-have for any fearless Fin-Addict in search of an easy entry point into one of Image Comics’ longest-running series! Introduction by GEOFF JOHNS.

Collects SAVAGE DRAGON #22-35

Art and story by Erik Larsen


CONCLUSION

 I'll be back in a couple weeks.  I have much going on.  In the meantime, for all your printing needs, Matt at Speed Print Inc. is amazing.

LINKS

My Poetry AlexNessPoetry.Blogspot.Com 
This place Poplitiko.Blogspot.Com
Personal: AlexNessFiction.Blogspot.Com/

Social Media
https://bsky.app/profile/alexanderness63.bsky.social
https://x.com/alexnesspoetry

Sunday, December 29, 2024

THE RIDE SO FAR: Savage Dragon

ERIK LARSEN
CREATES COMICS
Specifically, Savage Dragon
By Alex Ness
May 6, 2024


First off, I am writing this because I've given many suggestions to readers that Savage Dragon is a complete comic experience. And, Erik Larsen both writes and illustrates it.

It features the story of a world and group of people who are unique, and have an impact upon the world they live in in a different way than most comics show.

It is a comic story with an experience where the characters, scenarios, and worlds, all grow and mature as time moves forward. That is, the comic book paradox that characters never age, so 400 issues happen in the same year, doesn't occur here. I appreciate that, in a format and genre where there is little or no attention to the passage of time. In Savage Dragon Larsen takes a beginning point and follows some rules making a wild tale, and makes it conform to his own set of rules. 

I like the risk taking of that concept, the bold action oriented stories, the great writing, and the art that reminds anyone within 20 years of my old age, of Jack Kirby, and in a positive way. Other artists might claim the mantle of Jack Kirby but Erik Larsen lives it in every story. Jack Kirby is easily my favorite story teller and one of my favorite purely artist. So, in the prevention of anyone assuming bias, hell yeah I dig the work of Erik Larsen.

Frankly, over the time of my working in the world of comic book journalism. Larsen, Jamie Delano, Mike Oeming, and Alan Dean Foster were my most common interview subjects, and there is a reason more than their classic good looks for that. They were people who shared their joy of comics and books, the love of creativity, and ability to share that. Along with my best friends in comics, Mike Grell, Mike Baron, Jamie Delano, Erik Larsen joined them with support and advice, and mostly, kindness, when my life was shattered by recurring cancer, a recurring virus, mono, that most people get once, I have it constantly, and my bones have a disorder, that will end my career due to pain and more. He is someone I gratefully call a friend.

My favorite story is a wasteland in the style of Jack Kirby called The Savage World.  I tried to buy all the singles, but ended up missing significant periods due to health eras of my own, and money crises, as an author of a lot of works, but rarely compensated works.  So I am now trying to acquire the TPBs of the series.


The beginning point of Savage Dragon was a work from a teenager who is self taught in his art, and obvious has read many comics, but also books, and common culture. The comic itself might be called crude, but what first work is born without signs of youth, or with the experience learned style and craft marks of excellence? And yet, whatever comprises the story, and revelation of a fair amount of intelligent design. 

Graphic Fantasy #1 (June 1982) and first appeared as the "Savage Dragon" in Megaton #3 (February 1986). Called Dragon, a green alien with super strength, healing abilities and a finned head, who performs the duty of a police officer, serves the public good, has a sense of mystery about his purpose, origins, and motivations.  It is worth reading for the simple enjoyment of the medium, but it shares a moment that will be added upon for almost 40 years.

There are many eras in the adventures of the now Savage Dragon, are substantial, and aim to reach 300 in the run, as a hallmark of an independent creator's achievement.

The first Savage Dragon was a unique sort of character, awakening upon earth, in the ruins of a city block in Chicago. Upon gathering his wits, he realizes, he has only the most basic perceptions of what is going on, where he is, and why he is where he is. Even less, in fact, who he is. This amnesia is not short lived either. His name is a reference to his appearance. But he longs to fit in this world, and sets out as a police officer for Chicago, because this world has costumed villains and heroes. He is a talented and thorough officer. But as with most costumed or super heroes experience, a number of the mutants and costumed bad guys are recurring villains. Many good guys interact with Savage Dragon and become allies.

All of the previous stories reveal little of his true origins, until the Image Comics Hardcover with a story from Larsen, Todd McFarlane, Marc Silvestri, Jim Valentino, and the bomb dropped... reprinted in  SAVAGE DRAGON O. He is the former evil dictator KURR of a great nomadic space empire. When the ships of Kurr near Earth, some of his former assistants and servants act upon their desire to rid the empire of Kurr so they maroon him, unconscious upon Earth. Eventually, made to remember his memory, he surrenders his role as cop and realizes he must face galactic justice. But as mentioned, his story is one going forward in time.

He is a character who has family. He has friends. And he has romantic partners, and as a result he has a son. Forced by circumstances of the past, Savage Dragon ends his ongoing role as a police officer, while his son Malcolm Dragon takes over the role SD had played. With Malcolm the path of the hero, an epic telling of how one enters a role of honor and justice is on view, and his life behind the scenes of a hero are as much the story now as the adventures. The stories are just as broad, just as fun as the first Dragon but truly even more so. Larsen took advantage of the evolution of the story, and characters, and has created homage issues to newspaper and cartoon characters, and tells stories using different and rather new manners. I would argue, this is a superhero tale. But it is also a work that travels through time, space, and through different dimensions in depth. This is science fiction and fantasy, with a side of humor, a personal work for Larsen who has a broad career, but this is his story, and it shows. He was comfortable in his creator role enough to allow other writers and artists to write stories and smaller series featuring his characters and universe.

I would suggest buying the single issues, get a taste first, but find a tpb collecting a story arc, and dive in. And I'd like to say, I meant to go through and detail each era, but found myself worrying about spoilers, and only added the big twist of his true identity because if anyone reads the current Dragon, it will be obvious. Also, as much as I wanted to do a fully detailed love letter to the series, with my memory issues from health events, I don't remember some of those periods well. However, I can say, there isn't an issue that I didn't enjoy, and there are precious few comics I can say that about. If not every issue was the greatest ever, that's reality, not an insult. His work is excellent overall, and I am grateful to have read his concepts and his creative legacy of one powerful being with a past of evil, fighting instead for good, and the twisting path that takes him, and eventually his son and others upon. 

Well done Erik. And thank you.


Find Erik's Voluminous List of Works on the Comic Book Data Base
Visit him at his site Savage Dragon


All images are copyright per the respective owners, Erik Larsen © and others and are used in fair use, no rights are assumed transferred or shared.

Saturday, December 7, 2024

MATT BUSCH: CREATIVE JEDI, USER OF THE CREATIVE FORCE: INTERVIEWED!!!!


INTERVIEWING MATT BUSCH              
By Alex Ness
12/09/24

My first encounter with Matt Busch's work was fun, random, and less important than most events later, but it definitely caught my eye. And with each interaction with his work, I gained more interest and the more I saw his work, the more he had gained prominence. I came to really appreciate him because, of all the people in entertainment who asked me to run PR, or interviews or reviews, he thanked me personally for each one. Few do that.

Alex: I've been pretty amazed at your work, your personal kindness to me, a
measly little fan press dude, and how you've created a huge amount of work, from art, to teaching to creating a family and brand new creation, your adorable child.

Since we are chatting at least to begin with due to your new movie, for the purpose of letting readers of this know, could you please give them a brief publisher's blurb or movie teaser description of your work, Aladdin 3477?

Matt Busch:
ALADDIN 3477: The Jinn of Wisdom

From Artist Matt Busch (Star WarsLord of the Rings, and Indiana Jones) comes a live action super-charged reimagining of the Aladdin tale, literally ahead of its time. In the year 3477, a resourceful Hong Kong thief fixates on the Princess of India, propelling him on a globe-trotting odyssey where he crosses paths with an enigmatic ancient sage. 15 years in the making, Aladdin 3477: The Jinn of Wisdom is the first in Busch’s magnum opus trilogy of films. Strap into your skysail, because the epic adventure releases on Apple TV+, Amazon Prime, Fandango at Home, and more this January 3rd!


I've been made aware that your work Aladdin 3477 is related to your work with the Empire of Star Wars productions, doing art and writing a story that isn't the center of that universe, but nonetheless part of it. How did you get work with that storied franchise, and beyond your own project, what are some of the projects you participated upon for it?

Star Wars was obviously a huge inspiration, not just the amazing visuals and story, but the way George Lucas revolutionized cutting edge effects and visual storytelling. I was more interested in filmmaking early on, but back before everything was digital, film school was incredibly expensive. Art was something much less expensive and seemingly more achievable.

My lucky break came when I discovered that West End Games (publisher of the original Star Wars Roleplaying Game) was looking for writers for their books. I had an opportunity to write a spec story. They already had official artists, so creating the art for my proposed story wasn't necessary, but I created some anyway and submitted my pitch. It turned out that they were a pass on my story, however, they really liked my art, and the rest is history. One gig led to another led to another, and this year I'm celebrating my 30th anniversary of illustrating official Star Wars art.

During this time, I've had the pleasure of illustrating numerous books, posters, apparel, and more. George Lucas personally owns nearly 400 of the drawings and paintings I've illustrated. I'm hoping to do a big art book at some point, perhaps for my 35th anniversary.

As someone involved with one of the largest fiction franchises, does it liberate your imagination of images, by working upon an established work, or does it constrain you? Like writers debate a locked room mystery, do your talents determine, or do editors and producers determine how much you are allowed to "create"?

It just depends on the project. At times, I'm given an incredible amount of freedom to give my own spin with ideas incorporated into that galaxy far, far away. Other times, the powers that be are very specific with what they'd like, and the work isn't as creative.

Still, at the end of the day, no matter what the constraints are, it's still illustrating official Star Wars work, which is always fun!

Aladdin 3477 is real Earth linked, is it a great jump to relate real Earth's future, or is that a subject that the Star Wars franchise has always thought the case, or are you breaking new ground with that?  Forgive me for not otherwise knowing, my son is the keeper of all SW knowledge. I am a historian by degrees, and a political scientist who loves art and film. Would the acceptance of your work as part of that universe mean that the force goes deep in the ancient real Earth, and does that cross dimensions meaning, our world is only real in SW future, but not prior or beyond?

What's interesting is that when I was originally coming up with my ideas for my epic sci-fi series of films, the plan was always to have something another place, another time. One of the things I've always loved about Star Wars is that it's not tied to Earth or any particular time, technology, etc., so the story can be the main focus and the fantastical can just work, because it's not bound to anything we know here on Earth.

My story focused on an intergalactic con artist with his hovering robot Fidgi. There were some similarities to Aladdin I had realized early on, but over time, the idea of just blending my story into Aladdin became more appealing. However, I felt it was then more interesting to have it take place on Earth, in the distant future.

Having now been on both sides of this kind of creative sci fi, I would say creating something that takes place in another universe/time is easier to write, but harder to film, whereas creating something in the future on Earth is harder to write, yet easier to film. In the example of the Mad Max movies, because it's a future where manufacturing is dead, it was much easier to just take modern day junk and upcycle it into new products. We definitely did some of that in Aladdin 3477. Most have probably noticed Aladdin's sidekick robot he created, using a CD/radio player for the head.

In terms of anything magical with the Jinn, and how it fits into a realistic Earth, that you'll have to see in the film. I'm purposely keeping  specifics about the Jinn of Wisdom tight lipped. What makes our genie special is meant to be discovered watching the movie. I think people will find it refreshing. It's a lot more subtle than what we're used to with the Robin Williams / Will Smith version.

I've deeply enjoyed running PR for you, (I think for five years or so, if I am remembering right) and while I get asked questions about the subject of PR, the story and all kinds of wonder you are creating, I often don't know the answer. So I'd like to ask quick questions that I've been asked so those readers have a correct answer since not only is my memory poor, I might just be dumb.

Is this film going to be the start of a trilogy?

Yes! In fact, the 2nd and 3rd movies have already been filmed. There is still a fair amount of editing and visual FX work that needs to be done, but they are definitely happening.


Did this project begin before George Lucas left direct control of the franchise?

Yes, about 3 years before, but that was still in the preproduction phase where I was still writing, creating concept art, and building props and miniatures for in-camera practical effects. Ironically, and this wasn't planned, but we began filming the exact same day that Lucasfilm/Disney began filming Star Wars- Episode VII: The Force Awakens. Of course, the Disney machine completed all of it and had it in theaters while we were still about half way through our 5 year journey of principal photography.

How the hell can you work for SW, teach at a College, and do your own projects? Some people (the interviewer included) have difficulty doing one project?

To be fair, it did take me 15 years to complete the first film and have it released!

I think I just really try to manage my time well. If have somewhere to go, but have 10 minutes before I have to leave, I make the most of those 10 minutes. In the end it all adds up. It also helps that I love all my jobs. When you can take the things you love and turn them into a career, you never work another day in your life.


Who are your favorite artists, and who are the ones who you aspire to be similar or at least considered an equal to from the past?

I have so many faves, but I when I think of artists that inspire me, I kind of lop all creatives in together. When I broke into the Star Wars scene, I was kind of like the poor person's Drew Struzan, so clearly he was a big influence. I also admire a slew of comic book artists, like Travis Charest, David Finch, and Adam Hughes. I also really enjoy evocative comic book artists like Ashley Wood, Dave McKean, Bill Sienkiewicz, and David Mack.

It's all visual storytelling, so I admire Lucas and Spielberg, obviously. Sam Raimi. Edgar Wright's sensibilities are great. And then there's animators. Andrew Stranton and Sanjay Patel at Pixar. Tim Burton. The list goes on and on. 

I'm also super inspired by musicians. Everything from John Williams to Edward Van Halen. I'm not a professional musician, but great music inspires the way I draw and paint, and also the timing and pacing of telling stories. At the end of the day, it's all expressing yourself creatively.



I know I said 5 questions so feel free to ignore this one, but, how did you decide to be an artist, what creative mentors helped you find your right future role?

This is going to sound off the wall, but probably my greatest creative mentor was Rikki Rockett, drummer for the mega rock band Poison. When I was living in LA, I was working for his comic book company, No Mercy Comics. Together we did a comic book called Coven 13, which he wrote and I illustrated. He's such an interesting guy, who in addition to all the music, is an advocate for animal rights, he studies Brazilian Ju-Jitsu, motorcycles, loves all things horror movies, and even creates videos about urban legends and haunted places. 

In the 90’s, he kind of took me under his wing before anyone else did. Underneath the rock star that most people see, he's incredibly down-to-earth, really funny, but most of all, he's an artist in every way you could imagine. Everything he does infuses creativity, and his home is like a creative laboratory with all the different things he's into. I always felt like- that's what I want one day- a multi-faceted workspace where I can do it all. 

So that's kind of what I've done with my home studios, a sprawling set-up which let’s me be productive wherever that artsy itch strikes (or deadline dictate what must get done). It's not the same set up Rikki has, but he was the genesis showing me what was possible and how to build the ultimate creative playground.

And of the many roles in work you've had, what field is your favorite? 

I honestly love it all, but for that reason, working on the Aladdin 3477 project was the greatest role. I got to do it all- write, direct, storyboard, create concept art, edit, and at the end of it all, I got to illustrate the movie posters! The entire project really covers all the creative bases I love. I’m so grateful for the opportunity, and that after all the blood, sweat, and tears, the first film is finally being released!

And what are your links for readers to find more about the world of Matt Busch?

Follow Matt Busch! 

TWITTER: http://twitter.com/matt_busch

You can find out more about Matt at: http://www.MattBusch.com 

Purchase Matt Busch Books, Posters and more at: http://www.MattBuschStore.com

Sign up for Matt Busch’s Email Newsletter here: https://lp.constantcontactpages.com/su/Xq67mOP/MattsNewsletter

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Follow ALADDIN 3477!

FACEBOOK: http://www.Facebook.com/aladdin3477
TWITTER: http://twitter.com/aladdin_3477

Find out more about ALADDIN 3477: http://www.Aladdin3477.com

Purchase ALADDIN 3477 Books, Posters, Toys and more at: https://aladdin-3477.backerkit.com/hosted_preorders


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