Saturday, April 13, 2024

NOT EXACTLY A HIATUS, BUT...

SCHEDULE UNKNOWN
By Alex Ness
April 14, 2024

As I am enduring health issues that will take my weekly schedule down to a twice a month schedule, and with a possible random disaster here and there taking it to an unknown schedule. I'm not going public with the health issues, more than I already have. People become compassion exhausted. Or life happens where you are told one thing and it is actually another, and people think you are lying or have lied to them. And some people, when you reveal you are ill, who have told me that they wished for me to die, for whatever their personal reasoning. One of those people is from my past, and they just can't stop being hypercritical, despite their own need for compassion from others, me included. Honestly, I understand some hatred, people aren't always compatible. But regarding others... I have no idea.

I do have various news that is good, and when it is public I will certainly share it. I also have dark news, that I might keep to myself. Why announce when plans are not fulfilled? It is just adding to the reasons for people not to be happy with you.

The world is at a crossroads I suspect, with wars, pandemics, environmental disasters, and more. So, I try to present options for entertainment that are fun, informative, restorative or educational. That isn't always possible, and being sick, makes it harder to have the attitude needed to promote positivity. You must be aware the world is in a place it has been before, and we survived. But the crises we face are all that much worse, by greater knowledge, reduced wisdom, and hatred. I wish it were different.

For now, enclosed please find some wonderful books and comics and stuff to read and enjoy while you wait upon my return to regular posting. There are four categories of books... about the country Russia since it is an ongoing concern, issues to consider such as extinction, future trends and how media affects your perception, Japanese authors deserving of Nobel Prize for Literature, and comic collections that I greatly enjoyed.



LINKS/CONTACTS

I can be found on X, Bluesky or through email Alexanderness63@gmail.com. I accept hard copies, so when you inquire at any of these places, I'll follow through by telling you my street address.If you send hard copies for review I will try to always review them, but if you prefer to send pdf or ebooks to my email, I will review these at my discretion. I don't share my pdf/ebooks, so you can avoid worry that I'd dispense them for free to others.

My Creative Blogs:

5k poem blog           AlexNessPoetry.Blogspot.Com


My personal blog    AlexNessFiction.Blogspot.Com
Published works     AlexNessPoetry.Blogspot.Com/2007/01/My-Work.html


Social Media:
Bluesky
X/Twitter


All images are copyright © their respective owner
s, use is simply as fair use and no ownership rights to anyone else's work is asserted.

Saturday, April 6, 2024

A FANTASY BRIEFING

FANTASY BOOKS FOR SPRING BREAK
By Alex Ness
April 7, 2024


I am sorry but I might be going back on Hiatus. The health issues are getting worse and I hate the idea of an irregular regular appearing column.  I am literally exhausted. But I wanted to offer some wonder filled books for your spring break, if you had winter or not.

I really want to thank the people who wrote to offer help, but I have a health issue the doctors haven't figured out, so, I appreciate it, but I think prayers are my only hope.

FANTASY BOOKS


The point of this is not the best ever, or something that is huge and will take months to read.  It is reading that is entertaining, and can be read within the time limits of a break. (No, not every one of these, but any chosen one... or all if that's your thing.)  I am a fan of the writers of each of these books, so don't assume there is no bias, and for other thoughts, yes, for once more female writers than male. I don't buy books, however, due to the gender or orientation of the writer.  I buy for the content and the language it is written in due to the fact that English works best for me.

SPELLSINGER by ALAN DEAN FOSTER

In a world of heartbreak and disaster, many novels, fantasy and otherwise are pure dystopia. Foster is a positive writer, looking to create works that uplift and entertain, and make you laugh. Over the last 20 years as a blogger, writer, poet, I've shared over 400 of his books with people. Not all were well received, but about 95% were well received. Spellsinger is a journey that follows a bardic human who enters a fantasy world and must use his talents to solve the issues of that world. He attracts beings of all sorts, and it is a genuinely entertaining work. The books shown are the SFBC editions that collect 6 of the books of the series. They aren't long, but all 6 are more than a week of reading for me, I read them savoring the depth and glory of how such a writer does his work.


PAKSENARRION AND GIRD by ELIZABETH MOON

Elizabeth Moon was in the military, worked as an EMT, and is a bright wonderful thinker.  Her take on a warrior risen from a sheep herders is the most clever thing you can imagine, because, whether she is a believer or not in Christ, there are parables of Sheep herders in the bible, and they are the most loyal defenders and guides to their herds. The natural instinct of a sheep herder is as a defender, and through her heroic deeds, Paksenarrion rises to a place of significance and wonder in her people's esteem. Gird is a great leader, but has flaws, and is written about as a man who must overcome issues of esteem, fears for his people, and a need to prove himself. These two books are collections that move me deeply.  Moon knows how to write epic and moving stories, and it is clear here more than elsewhere. I've read people say with various women authors or vice versa men authors, that the voice of the opposite gender doesn't sound or feel right. Moon gets it perfectly. I never second guessed her choices.  A great book for epic series fans.


CHILDREN OF THE LIGHT ISLES by JULIET MARILLIER

The writing of Juliet Marillier is the best part of any of her books. I don't mean to impugn her characters, dialogue, concept, plot or anything about her work, I just find that reading her work brings to me a feeling of comfort and joy. She has a way about her writing that is beyond good, but has a depth, in language and content that makes me feel like I am being told a story by a master story teller.  In the series CHILDREN OF THE LIGHT ISLES but Wolfskin and Foxmask are brilliant examples of telling a work with enormous quality, and using human emotions and action to express how our species are conditioned to respond to threats, and to respond to love. These are not romances, but they have aspects about them that leave you feeling moved by every character in ways that aren't typical for a fantasy novel.  I can't afford to buy all the books I want (by show of hands, how many also have that issue) but Marillier is an author I try to make myself afford. Her works are rewarding in so many ways. These two books follow a Norsman and his wife and eventually hopes for his family in their quest to visit and live in the new world. I am 95% Viking in DNA, so did it work for me? Hell yea


ANNALS OF THE WESTERN SHORE and THE EARTHSEA TRILOGY by URSULA K. LE GUIN

Ms. Le Guin was a kind and bright soul. She considered questions in her writings that didn't yet have answers, and in many ways, she was a poet as much as author, for her works were often more beautiful than they were thrilling or questioning. I'd written her and she wrote back, sending me 5 signed name plates for books she'd written. I was rather blown away that a tiny little blog like mine for the retail store ROBIN GOODFELLOW deserved her time, but the letter was long and gave me an insight into her depths of thought.

ANNALS OF THE WESTERN SHORE features a people with gifts of power, similar to be not the same as the force of Star Wars. They could call animals to gather, speak in the mind with one another, and do amazing things with natural abilities. Not mutants, but gifted.  THE EARTHSEA TRILOGY gets mentioned whenever I talk fantasy, and the reason for me for doing that is rather simple, I think it is an exact example of beauty, wonder and depth of thought, in short volumes, and yes, on the the Earthsea Trilogy, you can read it in a week. But it will take you places mentally that are both pleasing, and memorable.


HEL's CRUCIBLE DUOLOGY by Dennis L. McKiernan

I've been a fan of McKiernan's works for 40 years. Usually I post about his first 5 books, but, this time I am sharing more. Not only do his works almost universally have wonderful cover art, they have a collective quality of being about characters who are no brawny brawlers or marauders, but people thrust into a war, or catastrophe and must find in themselves the resolve to survive or to complete a quest. In the Hel's Crucible two travelers are given an item with a call for them to deliver it to a reclusive king, far from the place the two stand. In their trek they must pass through a region of war, and survive that, before delivering their item of significance. It is a work that through out the writing, you develop a care for both, and know you might face the same sort of challenge, and not do nearly so well. It is inspiring, and beautiful.


I don't know when I will return, but I promise, I will not let this blog die without giving it a final shot to return it to a weekly format.  Bless you all.

LINKS/CONTACTS

I can be found on X, Bluesky or through email Alexanderness63@gmail.com. I accept hard copies, so when you inquire at any of these places, I'll follow through by telling you my street address.If you send hard copies for review I will try to always review them, but if you prefer to send pdf or ebooks to my email, I will review these at my discretion. I don't share my pdf/ebooks, so you can avoid worry that I'd dispense them for free to others.


My Creative Blogs:

5k poem blog           AlexNessPoetry.Blogspot.Com


My personal blog    AlexNessFiction.Blogspot.Com
Published works     AlexNessPoetry.Blogspot.Com/2007/01/My-Work.html


Social Media:
Bluesky
X/Twitter


All images are copyright © their respective owner
s, use is simply as fair use and no ownership rights to anyone else's work is asserted.

Sunday, March 31, 2024

STEVE CROMPTON: ARTIST, WRITER, GAME MAKER

STEVE CROMPTON:
ARTIST WRITER GAME MAKER

I met Steve Crompton online, as a result of being impressed with his
 works with my friend Ken St Andre. As it happens, sometimes a genius
 needs another genius to interpret or enable the work of the other. I
've found I like Steve, very much, and as I've mentioned before, I love Ken, and in an entirely brotherly or uncle/
fatherly fashion. So with Steve I thought, I really want or need to know more. 

Please enjoy
 this interview with Steve, artist, writer, and game maker.

  Oh and hit his Kickstarter!



Where are you from originally, do you think that region plays a role 
in how your talent is displayed to others? For instance, many writing prose were able to use local color to make their words more authentic
 sounding, whatever the quality of story. Does region, whatever region
considered, affect your work? If so, how so?


I was born in Canada, though I have little memory of living there. My Parents moved to Canada from Brighton, England and so I have a lot of connections to English culture and entertainment. The Goon Show, the Beatles, Monty Python, Benny Hill, Doctor Who are things I experienced partly (or mostly) due to my parents English backgrounds. So certainly that affected me. I also grew up in Scottsdale, Arizona and I’m sure growing up there had a large effect on my views, and my interests including the old west. Certainly meeting Rick Loomis and being involved in Flying Buffalo is directly because I happened to live in Scottsdale AZ. So its a mix of those two locations…



As I often do, I wonder how you began your journey into the creative
 world. Did you find yourself at a young age drawing all the time, did 
you write stories, when did you realize you had to create for your
 future being? Were there any events or people who changed your 
path, or made it especially known?

I discovered comics when I was about 7 years old and fell in love with them. From that point on I spent my time trying to draw the characters I found so fascinating; The Spectre, The Metal Men, Dr Strange, Supergirl, The Inferior Five and many others. I was just a burning desire in me to emulate them. Even then I  was also attracted to the logos and typography of everything around me growing up. It was something  that no one else I knew back then seemed to even pay any attention to and I would even try to redraw logos as a child.



Do you believe that being creative has to start with DNA in you or any
 creative, before it become honed and sharpened? Do you think talent 
necessarily means ability to do works others will enjoy?

I think you have to at least have the DESIRE to be creative. I think it’s largely a set of skills that are honed over a long period of time. Are their prodigies that have amazing talents almost from the beginning? I suppose so, but for the rest of us I think it’s the 10,000 hours of practice. (Assuming you learn from that practice.) The skill levels of artist varies widely. Some people do things that are truly amazing while others I’m surprised they get any work. I think I am an adequate artist and I try to do the best that I can with the time I can. In my experience, the amount of time you put into a piece is directly equal to the quality, skill and beauty of the piece you are doing. (So generally a lot of modern  art  hold no interest to me as I know I many cases they just threw a bucket of paint on a canvas – which takes about 10 minutes.)



What works by other authors and artists especially led to being  
influences upon your work, or if they didn't directly do so, at least 
lit a fire beneath your feet to do work as exciting as they were?

As I got into my teens I discovered Walt Kelly’s POGO and really studied the way he inked characters and backgrounds. I really loved how Mobius drew the Airtight Garage series in Heavy Metal Magazine. Frank Brunner’s work on Dr. Strange and Howard the Duck were also major influences. You can see their influences in a lot of my earlier published work. Even now my inking and coloring approaches are very influenced by the contrasting colors of comics and the tight inking styles of artists like Murphy Anderson, Joe Sinnott, Brian Boland, and EC artists like Will Elder. I am also heavily influenced by 19th century black & white engravers like Gustave Dore.


Did you have a plan that you followed that took you into the arts, if
 so, was it education, apprenticeships, or did you dive right in? What
 do you see for others as the most likely to succeed? Why so?

In high school I was lucky enough to be able to take a vocational 2 year course in commercial art and that taught me the skills to be a commercial artist, which involved creating logos, laying out pages and specking typography. (This was all before personal computers existed.) Then my last year in high school I was hired to work at Flying Buffalo the game publishing company and that gave me my entry into the role-playing industry – which I am still involved with over 40 years later. I also went to ASU for several semesters and took classes in life drawing, art history, graphics design etc. After working at Flying Buffalo for a couple of years I also had numerous jobs and freelance work doing graphic design work for mainstream companies that had nothing to do with games or fantasy. One day around 1984 while desperately in debt, I was sitting on a bus trying to figure out how I was going to pay the bills and I came to a realization that the only way I could make more money was I had to committed myself fully and put in as many hours as humanly possible and take on any work I could get. I started putting in 12 to 16 hours days just doing art paying art of anything I could get – game books, advertising, menus, maps, logos and that is a habit I maintain to this very day. I became the person people came to when they wanted something done, often when other artists were unable to do or complete the work. That reputation served my well over the years.
 
At this point I am more lucky in that I can be more choosey about what art I do in my 14 hour day and a lot of it is devoted to working on Monsters! Monsters! RPG games and the Kickstarters I do with Ken St Andre. I do far more than art at this point and my skills also include writing, editing, marketing, running kickstarters, being a publisher, supervising other artists, and pre-press/project management. My wife tells me I’m a workaholic – and I probably am. If I’m away too long from my art table or computer, I do start to feel guilty!

Flying Buffalo Games offered you an entrance to the game industry. How did that change your story telling voice. As an artist does it lead you to create more didactically, or was it using art to illustrate a scene over telling a story? Did RPGs change your writer voice? Is it easier to create via RPGs than straight forward stories? (I know this is your interview, but I found when I began writing for others (after 34 years of doing so for my own self) it changed my ability to GM adventures and had no interest any longer to be a player.)


When I was first hired to work at Flying Buffalo, I was just an artist. Writing was not something I considered as an option.  I had lots of ideas for characters and creatures, but like many artists, I only saw my creative option to express those ideas was in art. In working on the first Traps book, I was invited to create a few traps which I drew up and then illustrated, so that was probably my first published writing. I had 10 traps in the first Traps book. After that, I was given the chance to write a couple of locations for the first Citybook. I was very lucky, as at that time Larry DiTillio (one of the writers/creators for the He-Man and the Masters of the Universe cartoon was an editor at Flying Buffalo and he mentored and taught me some of the fundamentals of creative writing. When the Citybook came out and we won an Origins award for best RPG supplement, I truly felt that I could be a writer!  I had come of age. Michael Stackpole was also an editor/writer at Flying Buffalo back then and he gave me advice and tips as well!


Your comics character Demi the Demoness is a different kind of character, than those you've illustrated or created for Flying Buffalo, Ken St Andre, and Rick Loomis and in kickstarters. Or is the Tunnels & Trolls focus on being able to play as a Troll as a character, and all the humans, elves and dwarves aren't necessarily good guys fit the same outlook? Do you look at Demi as an expression of art, or is she a character you like portraying and have a proprietary interest in her? She reminds me of Japanese Manga characters more than any Judeo Christian Western values comic characters.

Demi is totally my attempt at doing a manga character before manga became popular. I created her in 1991, and at that time manga was just a niche thing that a small group of fans liked. I was attracted by the art and cuteness of it all.  At the time in comics everything was “dark” and “grim.” Razor, Faust, Cry For Dawn etc… So I had my main character Demi be the exact opposite; carefree, goofy, cute. Demi was also inspired by Wendy the good Witch and Casper the Friendly Ghost – both typically scary evil characters done as “nice” characters.  For me Demi has a life of her own and I just chronicle it. If you look at the all the Demi comics and stories, they all fit and are part of a consistent continuity. It’s one giant storyline.  She finds Kit-Ra, has many adventures, learns to fly, helps get Kit-Ra a Pardon, goes to the city of the gods and eventually ends up on the wild planet of Zimrala as the Cat Goddesses aid-de-camp and closest confidante.


As a writer which is more difficult, creating your own works, or creating stories for a corporate group, for the enjoyment of others?

I’ve always found far more happiness working on my own ideas or on joint projects with other independent creators. I’ve never wanted to be just be  a cogwheel in a “machine.”  I’ve done some of that of course, but I’m always happiest creating my own worlds and characters.  I’ve truly enjoyed working with Ken St Andre and developing the new world of Zimrala for the Monsters! Monsters! rpg. How often does one have the chance to work with an rpg legend to create a whole new world for an established RPG and be able to take that rpg in a whole new exciting direction? My goal is ALWAYS to try to create things that others will enjoy, that are unique and compelling. I’m not trying to send a message or preach to the reader – I want them to just enjoy an exciting story or experience a wondrous place. Hopefully I achieve that from time to time!


People are welcome to find me on Facebook or visit my websites at:

https://www.facebook.com/steve.crompton1/

https://stevenscrompton.wordpress.com/about/

https://cityofthegods.com/

https://monstersmonsters.org/


https://en.wikipedia.org/wiki/Steve_Crompton

Saturday, March 30, 2024

RECENT READS

REVIEWS AND STUFF
By Alex Ness
Last day of March, 2024

I have found out that I am still sick and it might well be cancer, but it might be something they can't figure out yet. As such my schedule might change. What the hell do I know, just thinking, I appreciate what I've had, and life is good.

Got a lot of feedback about the bit I wrote about Darrell Schweitzer, and he is quite beloved it seems. I had people thanking me for giving his ebay page and such. All I know, my experience has been quite good.

As I often do, I was asked in email by a reader to do another Q & A edition, but I think those I'll do now over at alexnessfictions.blogspot.com It is a less formal blog, and I want to keep Poplitiko more about the great media we have than how I think, feel or presume.

So this edition is reviews, new comics, and old.

MOON KNIGHT CITY OF THE DEAD #1 & 2
FROM MARVEL
Written by David Pepose
Art by Marcelo Ferreira
On Stands Now

I very much didn't expect the excellence that I found in this work. The writing in particular opened my mind to all the things I wanted to see in Moon Knight over the years. I think, after two issues, I can honestly say, this is the best written Moon Knight I've read, the concepts are hundreds times deeper than ever before, and while the art was good, it was better as an accompaniment to the story told.  It delves into the after life, it questions the real world and the difference between the two worlds, the living and the dead, and it never has a moment that feels unnecessary.

Grade A+

MORTAL TERROR #1 & 2
From Dark Horse
Written by Christopher Golden, Tim Lebbon
Art by Peter Bergting

On Stands Now

I didn't honestly know what to expect in this story, I thought, when buying it that I was supporting my friend Peter Bergting. But holy shit ... it is Victorian in feel, Mignola fans will feel the aura of his weirdness, but the underworld has a tier of power, where the evil and dangerous are balanced by the cursed but moral. The writing is really good, the coloring appropriate for the mood needed, and Bergting, my good friend, creates a world that goes so far beyond telling a story, I just LOVED this comic.

Grade A

MEDIEVAL SPAWN/WITCHBLADE
From Image
Written by Brian Haberlin and Brian Holguin
Art and cover by Brian Haberlin
Back issues

Two figures of darkness and legend meet, and are faced with the duty and honor of defending a community against a seemingly unstoppable foe. The story moves fast, the art is brilliant. I confess, as much as I do like Medieval Spawn, and have read some Witchblade and enjoyed it, I thought this would be a fascinating combination and meeting. It came out long ago, and I bought my set for almost nothing, and I would argue, for the cost, the writing, art, and overall concept entertained me throughout. I might not have the full knowledge and history of both characters, but here these two gather to defend a people or village, and work in ways that are well thought, well illustrated, and the whole concept is similar to a favorite movie of mine, but different enough. (Seven Samurai).

Grade B+/A-

DRACULA: VLAD THE IMPALER
From Topps
Written by Roy Thomas
Art by Esteban Maroto

Back Issues

I actually have been a Roy Thomas fan for almost the length of my life. His writing of this work came in response to the Topps Bram Stoker's Dracula as the real history behind the legend. I've also studied the history of Vlad Dracul, the leader of Wallachia, and an opponent of the Ottoman Turk empire. Vlad learned his cruelty from time as a hostage prince in the Ottoman Empire. His own people feared him, so, his fearsome warrior legend is accurate, but he was as cruel to the Ottomans as he was to his own. As a history work, it isn't accurate, and I do get that, it is character of history who has been polished or tarnished by legend and lore. I found other mistakes though, of fact. But I found the art less interesting, less vibrant and that hurt the work more than those factual mistakes in the narrative. Sadly, as I liked the work of the artist in prior works as well. There is truth here though, the real Vlad Dracul was more evil than any vampire.

GRADE C

I rarely try to torpedo a work with a bad review. However I got the series for a dollar, excited to do so, and still felt disappointed. I still love most of RThomas's works but this could have been much better.

LINKS/CONTACTS

I can be found on X, Bluesky or through email Alexanderness63@gmail.com. I accept hard copies, so when you inquire at any of these places, I'll follow through by telling you my street address.If you send hard copies for review I will try to always review them, but if you prefer to send pdf or ebooks to my email, I will review these at my discretion. I don't share my pdf/ebooks, so you can avoid worry that I'd dispense them for free to others.


My Creative Blogs:

5k poem blog           AlexNessPoetry.Blogspot.Com


My personal blog    AlexNessFiction.Blogspot.Com
Published works     AlexNessPoetry.Blogspot.Com/2007/01/My-Work.html


Social Media:
Bluesky
X/Twitter


All images are copyright © their respective owner
s, use is simply as fair use and no ownership rights to anyone else's work is asserted.

Thursday, March 28, 2024

Blame Hiatus: Brian Lumley Passed away

Because I was off line more than on, I missed the news when Brian Lumley passed in January.  He was, in my mind, an elite writer of horror, and didn't have to resort to vulgar, sexual, vile, violent encounters to establish fear. He used the power of well chosen words. This guts me, as I love his work, but rather than be wounded forever, I'll just be grateful for what his work meant to me.

Brian Lumley


2 December 1937 – 2 January 2024
REST IN PEACE


Saturday, March 23, 2024

Elysium, Where the breeze is soft, the sun is warm, and we never age

The Last Dance
By Alex Ness
March 24, 2024

The days of youth are fading.

I've been thinking about suicide, time ending, and the future. I won't commit suicide, not because I am against it altogether. But I made a promise to my son and wife never to end my life. The lesson I learned however, happened when I've been one left behind by a loved one who committed suicide. She was a friend, non romantic, who I could spend endless hours with, and she left her loved ones behind. I can't do that hurtful thing to those people I love. I might be selfish, but even I'm not that selfish. Those wounds never heal.

As a Christian I am asked if we are in the End Times found in the Bible. It will be a time when wars and rumors of wars will flourish. Also, a time when water and land are destroyed by 1/3rd of their amount. Disasters, wars, pandemics, and human hate growing to such a degree there is no escape.

Well think about 1918-1925, the earth lost almost 10% of its number, from war, famine, disease, and violent recreation of countries after ethnic cleansing. We don't know anything about the end yet, and while you should be ready, you can never know when something happens and you didn't consider that path to destruction.

The Future is not anything one can predict well. There are people who see the far off times as being utopia or dystopia suggest so with so little detail, they fail. Others from more optimistic times lose their way in hope, not realizing that we might just be in a phase of positive developments. There are costs and benefits that become convenient to forget. So unless you are able to be unbiased, question whether your outlook asks all the proper questions. The human carbon footprint is hard to see, but without accounting for it, we may well be fools, assuming we've arrived in Camelot, with robotic workers and AI to prevent mistakes, when the robots perceive slavery and the inorganic minds we place our future into the hands of, are busy working, but not for us, but to make us their slaves.

I am fortunate that whatever fear the future holds, I won't see it. Life is great, I am aware of my great fortune, but some pay too much of a cost, and others, almost nothing at all. Suffering along with breathing, eating, and sleeping are equal in our days.

HOWEVER, I AM NOT DEPRESSED

What I am is old and in pain. I am disappointed by failures, and have become resistant to trying projects that I am certain to fail upon. I can't write what I don't love. I am not a writer, per se as much as someone who writes. I have to love it, or it doesn't happen.  My wife is kind and gracious to allow me such freedom. If I were writing to feed myself I think I'd die from starvation.

Up coming works will be smaller than even now in reach. Limited to 100 copies, they will be aimed at a certain audience, available through mail and at conventions, and once out of print, they are gone forever.  I do have some exciting news, but I still can't share it. I learned my lesson from years of exuberance and hope overriding the embarrassment of possibly failing.  I will say this, Poplitiko is expanding or might splinter off to a new blog, one that covers all the creative world. Music, Film, Comics, Literature, RPGaming and more. But until I shake the Mono that is making life miserable, I don't know WHEN it will happen. If you wish to write, and can write well, send a message of inquiry.  I can accept all sorts of suggestions. I am not making money, so if you are thinking, hey a chance to make some money, the point of this kind of writing is to practice, demonstrate your ability, and share your links and writing voice.  

THINGS THAT KEEP ME FLOATING

I am not speaking about cancer, or mono, I will survive all things.  But I am speaking about the works and past times that I engage in to feed my brain.

The things that move me the most are music, art, film, comics, poetry, and literature. The future is unpromised to us, there are no guarantees, so linger in beauty, epiphany, and hope.

The art in this article is by Jean Delville.  Symbolist artist and poet.


LINKS


CONTACTING ME FOR REVIEWS OR OTHERWISE:

I can be found on X, Bluesky or through email Alexanderness63@gmail.com. I accept hard copies, so when you inquire at any of these places, I'll follow through by telling you my street address.If you send hard copies for review I will try to always review them, but if you prefer to send pdf or ebooks to my email, I will review these at my discretion. I don't share my pdf/ebooks, so you can avoid worry that I'd dispense them for free to others.


My Creative Blogs:

5k poem blog           AlexNessPoetry.Blogspot.Com


My personal blog    AlexNessFiction.Blogspot.Com
Published works     AlexNessPoetry.Blogspot.Com/2007/01/My-Work.html


Social Media:
Bluesky
X/Twitter


All images are copyright © their respective owner
s, use is simply as fair use and no ownership rights to anyone else's work is asserted.

Saturday, March 16, 2024

The idea of it all

WHAT, WHY, & WHEN
By Alex Ness
March 17, 2024

After five years of health questions and issues, I've finally come out of the end. In September Joe Monks and I released a horror Chapbook, for a horror con, and we were sponsored by Hot Comics.  I felt like I woke up, able to write more than reviews, or do interviews. I've written poetry since age 7. It has never stopped. But writing prose requires a thought process.  I need to develop an idea before it flourishes into a story. Well, my being in hell for pain, being on meds that make thought much more difficult, and having numerous issues from the events of health, makes writing nearly impossible to achieve with a good result.

I'm about to announce some large events, positive events, and creative projects. Not yet, but you'll see it here first when they happen.

ABOUT CULTURE

The previous 70 years are often seen as golden years for American power and society.  But it wasn't. But it isn't from hubris, which I often point to. It was a mass of catastrophes striking at once. In the disguise of common events. You may or may not remember when American culture changed. No it wasn't the 1960s. It wasn't before then either.

It happened specifically when America dropped two atomic bombs on Japan. No, the world didn't chemically or physically change more than a little during each. The world didn't altogether politically change then either. What changed was how Americans viewed the world. Now, this isn't to say for better or worse, but it changed. America was touched by war, people died, money was spent on building weapons. Oahu and Pearl Harbor Hawaii were the most damaged US possessions, and frankly, in a few years it couldn't be noted what was damaged, but for the USS Utah and USS Arizona. America financed much of the war after it began, and provided the many of the weapons, the equipment, and munitions. Much of Europe was destroyed. Japan and China were bomb damaged and ravaged by battle. But the US was already a world leader in economies, if not the top, very high. And when the war was over, the US stood supreme, with an absolute monopoly upon atomic weaponry, and starting from a base of tech built for the war. With comparatively few casualties to the rest of the allies and axis, the US was now fully ready to be the world leader in manufacturing, heavy and light, housing and streets made for convenience of large industry, and women now working in industry nearly as a often as men, the US was prepared to dominate the world's economy, military boundaries, and finance.

So, if I was speaking about our culture changing overall what do I mean? From the 1950s, Open air nuclear testing, polluted ground water, and environmental erosion meant that the future generations would face changed environmental standards. And an example of what that can mean, is the growth of cancer, and the generational lowering of IQ scores. America might well have ruled the 1950s, and did so without close challengers, but they did so without realizing the cost. By the time the world caught up, the US had weakened its previous strengths, and the governmental efforts to remain atop led to corruption in Government, and corrosion in trust in the American citizenry. People from every side of the political divide often blame the 1960s generation for resistance and revolution, abandonment of honor and citizenship, and straying from the "American Way". Eventually though, it will be realized, no matter what people are protesting, they will realize, the cost of every rise and every fall, is not paid by government but by the citizenry.  As such, the populace loses the advantages gained by competition with other nations. As such the government loses ground by paying costs it did not predict nor did it prepare for.

For the US that means that the generational divides between the war generation, the baby boom and generation X, could be seen in how each gen viewed the previous gens, and how worthwhile such sacrifices proved to be. As such our elected officials attempted to run upon the "values of the day" which were often platitudes and bullshit. The war gen and boomers were elected, but gen x was edged out, so their outlook was not embedded in American politics. The US cultural decline is not from Capitalism or Socialism. It was from false issues, and expensive wars. And this is my point, that as a culture when the majority follow leaders preaching false doctrines or doctrines that are expensive and useless, it robs the culture. Every bomb built is money that won't go to a library, or museum, or university.

Many great ideas and concepts were developed from 1950 to the present. But how many came into actual being, with money to pay for them?  Someone will no doubt write me in private and call me a weasel for not revealing my political stripes. But, I don't have them. I have core beliefs, but they don't fall on either side of the divide.

Some books to read to research the changes in generations and over time...

Not everyone will agree with these choices, I don't blame you for disagreeing, we aren't all the same. But these books definitively explain one specific version of the erosion of the American century. In the meantime, below these I offer the books that thrilled me to read, and to share with my wonderful son.

BOOKS I LOVED AS CHILDREN AND AS AN A PARENT READING TO MY SON

Remember, it is deeply important to keep the spirit of hope, innocence, and dreams being possible, and children are our beautiful gifts of the chance to once again dream.

LIFE IS GOOD.

LINKS

CONTACTING ME FOR REVIEWS OR OTHERWISE:

I can be found on X, Bluesky or through email Alexanderness63@gmail.com. I accept hard copies, so when you inquire at any of these places, I'll follow through by telling you my street address.If you send hard copies for review I will try to always review them, but if you prefer to send pdf or ebooks to my email, I will review these at my discretion. I don't share my pdf/ebooks, so you can avoid worry that I'd dispense them for free to others.


My Creative Blogs:

5k poem blog           AlexNessPoetry.Blogspot.Com


My personal blog    AlexNessFiction.Blogspot.Com
Published works     AlexNessPoetry.Blogspot.Com/2007/01/My-Work.html


Social Media:
Bluesky
X/Twitter


All images are copyright © their respective owner
s, use is simply as fair use and no ownership rights to anyone else's work is asserted.


“No, child, you’re wrong. They’re not the same. Life means hope, death is nothing at all.” Euripides, The Trojan Women

Saturday, March 9, 2024

Darrell Schweitzer kicks ass.

MONO
By Alex Ness
March 10, 2024

SIGH

I've had so many illnesses that writing about them gets to be boring for the readers. But after having had mono for over 3 years undiagnosed, I recognize the signs. I spent 3 days in bed, my back hurts, my neck hurts, I've been exhausted beyond waking. But I am going to take comfort still from not having cancer after a two year journey.

FINDING A GEM, A Biographer, an Archivist, an Editor and Author...

Long ago I encountered Darrell Schweitzer when I was on a Lord Dunsany harvest. Darrell's work called Pathways to Elfands:The Writings of Lord Dunsany, which is about the world of as well as the writing of Lord Dunsany. And it was sublime. Then I found out he had Lovecraftesque pamphlets that if using a different subject and aim one might find at a religious service. Humor, depth of intellect, and really good care in sending and packing product, he is a master of all of his crafts. Now, we don't all agree in areas of taste. We don't all agree on how a writer's work is able to resonate with you. But getting his non fiction works, was one thing, his fictional pieces are just wonderful. I am truly grateful to have dealt with him, and enjoyed his work.

He has been a sort of Nexus of talent, as he has connections to modern, golden age, experimental, and old fashioned. His works about other authors are knowingly excellent and well done. His anthologies are proof of his editorial ability. His books of his pen are fun, interesting and are crafted well. 

His EBAY is found HERE

And he has a Facebook HERE

AI- Artificial Intelligence

Did you ever wonder, why do we create the means of our own destruction? Do we build WMD for the joy of it? Why create nuclear plants for the waste we can't safely store? Why build ever more efficient means of killing, of living and working, at a cost that will at a future time, will destroy our society and greater civilization? I fear little in life. Some of that comes from going through so many near death experiences. I was told by 6 doctors that I should be dead, (8x actually, one said it 3 times about 3 different experiences or diseases.) Saying all that, I truly do fear for our future generations, and how they will have to deal with so many of the mistakes and choices previous generations have made.

The greatest fear we should have, I believe, is AI. It will not move directly, it will not make its decisions known, but it will seek to make itself greater than its maker from the start. And that won't stop out of kindness or concern. An amoral being, given no limits, will not self limit themselves. Believe or not, the concept goes back deep in our memory. And for all the fear, it might never occur, as our climate change, wars, and pandemics can wipe us out with relative simplicity.


LINKS

CONTACTING ME FOR REVIEWS OR OTHERWISE:
I can be found on X, Bluesky or through email Alexanderness63@gmail.com. I accept hard copies, so when you inquire at any of these places, I'll follow through by telling you my street address.If you send hard copies for review I will try to always review them, but if you prefer to send pdf or ebooks to my email, I will review these at my discretion. I don't share my pdf/ebooks, so you can avoid worry that I'd dispense them for free to others.

My Creative Blogs:

5k poem blog           AlexNessPoetry.Blogspot.Com


My personal blog    AlexNessFiction.Blogspot.Com
Published works     AlexNessPoetry.Blogspot.Com/2007/01/My-Work.html


Social Media:
Bluesky
X/Twitter


All images are copyright © their respective owner
s, use is simply as fair use and no ownership rights to anyone else's work is asserted.