Sunday, August 9, 2026

MY CURRENT CHOICES AND WISH LIST

MY CURRENT WISH LIST
Or, it is all about me!

By Alex Ness
August 12, 2026

ART AND WORDS
TPBs And Collections

Why that's an unusual selection, what is Alex Ness trying to tell us? well, I like art. I like Art books. I like art museums. And I like comics. My mind is not necessarily easily pleased, but if I am surrounded by beauty or fascinating images the story of the work shines through. 

My favorite author, Robert E. Howard might have written occasional works that weren't great but I haven't read them. Conan is a wonderfully nuanced barbarian. He isn't a rapist or slaughter minded killing machine. His character works because it feels real, and there appears to be a lesser theme than his muscles and quick mind, he has a destiny that he is carving from time and action.

The Spawn characters were perhaps the reverse. I wanted to like Spawn, I enjoyed his creator's art. But the basic Spawn character was flawed. It assigned a morality to him that didn't sound like that of someone who'd give up his soul to save another. However, often, when I read the works of alternate versions of Spawn, show how the work could have been approached from the beginning.  Spawn Dark Ages introduced me to Steve Niles. Medieval Spawn and Witchblade showed me the aspects of the character that felt far more authentic than the original. Not that I am taking a shot at the original creative force, because without the original version, the alternative version would never have shown the different versions I enjoyed.

Brian Haberlin is a wonderfully talented artist. And, like some other great artists, he has talents as well as skills writing. His art collection Oil & Water gathers his works that are epic and beautiful. I like his subjects, but more so, his collection of watercolor, acrylic, and oil colors works are tremendously rich, delivered with great impact. The art book is purely beauty on a page. His writing and art skills are immense, but I'd like to add, he is as kind as he is skilled/talented.

Jeffrey Catherine Jones was a great painter, her eye was fantastic, and her deeply emotive hand led the viewer to be moved, aware of the courage to reveal more than the action on the page. I am rarely as moved with Fantasy images, as I am with her work.

DIFFERENT KIND OF ART BOOKS

My love of Japan can be seen in the art that pours out from the nation. Beauty, symbolism, clarity of thought are traits that define the works from the creative minds of Japan. Masahisa Fukase was brilliantly talented, more so, he translated his life, his emotions and sorrow into image. He was moved by Ravens and considered them his focus area to express grieving following his divorce. More too, he fell down a long series of stairs and broke bones, and entered into a long period of coma, dying much later. I believe that his work is unique. The Solitude of Ravens was perfect, and beautiful. The artist of Japan prior to industrialism captured the beauty of the world, told in ways that would be considered symbolic more than representational. The Ukiyo-E was the style, the school of art.

Propaganda and the efforts to express a desired perception, are more than a political act. In this age where everything must be easy, simply moments rather than long or deep dives, the power of the words and arts serve a political goal. The era of needing to understand the underpinnings of information, losing memory is a dangerous place to be. I'm gathering more information rather than making firm my foundations. Understanding that propaganda might also be telling a version of the truth, but in a way aimed at guiding the viewers final verdict, propaganda is not about capturing truth, but guidance of the viewer's mind. I want to know more, because the future isn't going to be simple. So many sensory stimuli, so many auctions of truth, we need to perceive what is being told. That is why the three books shown are on my list.

MY CURRENT 24 FAVORITE FILMS 

Some folks who read me keep track of my favorite films, as over the years there have been new entries, and some greater understanding of the themes, leading to an update. There are many films I love and can't change for anything new, but there are films that I didn't understand fully and upon deeper reflection, have risen in my esteem. The Kingdom of Heaven Director's Cut is freaking amazing. Edward Norton, as Baldwin IV is as powerful as a human is able to be, he evokes so many emotions, while also being caged behind a mask for all but a second or two.  I am also adding the film The Black Swan with Tyrone Power and Maureen O'Hara. The adventures of a reformed and good pirate, who is assigned to tracking and fighting evil pirates, a forbidden love story is not a work that will drive a person to distraction with subplots and complex stories. But sometimes something someone wants or needs to watch, is simple and fun.


THE MISFITS (1961)

This movie is beautifully filmed, in rich black and white. With a brilliant cast. The film is pregnant with themes that are demonstration of the loss of a classic eras as well as the loss of those heroes of that golden age. The most notable actors/actresses playing the characters, are playing their final roles in their life. They play roles that mirror, purposely or not, their lives outside of film. Also, the characters in the story work are in the fields that are becoming obsolete and are unable to fit the impending new era. Technology has replaced courage, electricity has devoured physical labors. 

I admit, I could see how some might find the film overlong. It might sound empty, the soundtrack is not overbearing or even noticeably present. But, the themes of life are themselves the heartbeat of the story.  People are bitter. Perhaps all of the characters are alcoholics. Or, they are just along the edge of being functional, and along with their life's challenges, they simply exist. When they die, perhaps they will be remembered. Or not.

LINKS

MY POETRY: AlexNessPoetry.Blogspot.Com 
MEDIA:  Poplitiko.Blogspot.Com
My Published Works: HERE

Social Media
https://bsky.app/profile/alexanderness63.bsky.social 
https://x.com/alexnesspoetry

All works shown and/or considered are copyright the respective owners, fair use is the sole means of use asserted.

Sunday, August 2, 2026

The Awesome and Amazing

GROOVY STUFF
By Alex Ness
August 10, 2026

ART BOOKS THAT KICK ASS


I was asked if there are collections of sci fi, fantasy, comic book artists that one might keep even if they can't afford the original, they can remember and look over the works in a work. However good they are, these aren't the groundbreaking, auction record breaking, museum works, that one might think of when considering art. They ought to be, mind you, they collect just as interesting work as those in the museums. And why not both? 

I don't have many art book collections, but, I wish I did.

These are some cover images of the Art of works:
Barry Windsor-Smith
Neal Adams
Wallace Wood
Steve Ditko
Jack Kirby
Peter Bergting
Dave Cockrum
Michael W.Kaluta
Frank Frazetta
Alex Schomburg
Albrecht Dürer
Howard Pyle
Arthur Rackham
Gustave Doré
Harry Clarke
The work of Studio Ghibli
The Anime Art of Hayao Miyazaki


ROMANS AT WAR

The world, except for the non specialists often perceives the Roman military style of battle as being violent, mass actions, without nuance, or ability to change in midstream. Sometimes, that would have to be true. But it is not the case that it was a style often used. For instance, in Caesar's brilliant battle, the rebellious Gauls led by Vercingetorix gathered in Alesia, with the knowledge that many reinforcements were on their way. Caesar surrounded the city with battlements and men, and also erected, a wall around their wall for protection from the warriors coming to relieve the people and army surrounded by Rome. At a point of desperation Romans had to defend an assault from inside the circle, and those on the outside, having chosen to squeeze the Romans out. The involvement of Caesar among those in hand to hand direct battle, gave the Romans extra hope. In the end, Caesar defeated both armies, and took Vercingetorix to Rome, as a part of the victory parade *a Triumph. As a reader of the history of Rome at war, one might actually read the nuanced battles, and replay them. From the great victories to the losses of ground shaking enormity one can pursue the battles, and see exactly how they occurred. 


LINKS:

MY POETRY: AlexNessPoetry.Blogspot.Com 
MEDIA:  Poplitiko.Blogspot.Com 
PROSE THOUGHTS: AlexNessWritesv1.blogspot.com
My Published Works: HERE

Social Media
https://bsky.app/profile/alexanderness63.bsky.social 
https://x.com/alexnesspoetry

All works shown and/or considered are copyright the respective owners, fair use is the sole means of use asserted.

Monday, July 27, 2026

FANTASY: Comics, Magazines, Books

FANTASTICAL STUFF 
By Alex Ness
July 28, 2026


AGAIN, Or, MORE FANTASY COMICS

While the titles seem endless to most readers, to the fans of fantasy genre comics there instead appears to be that it is a good start, but in general there are too few comics of a fantasy genre. I am not intending to insult anyone's taste. I am not suggesting that the people saying we need more are blind to the many that have been published. I do know that of my readers here who are comic fans, most like superheroes, or, have been vocal about that suggestion. I enjoy the genre, in comics, books, games, and film. As such, this is even less of a passive aggressively aimed insult than it might seem. This list includes magic, barbarism, game related stories, book adaptations, and some wonderful stories.

I point to the previous fantasy article for a comic series that I didn't enjoy. The first issue is listed here, not to say it is good, as I didn't like it, but others might well like it. As such it is a symbol, not a specific work. 

For me, and I hope many others, Fantasy comics supplement the RPGs. That suggests to me, the goal of, and vital practice of story telling is the ultimate reason to play RPGs. The best comics might well be works that tell stories in the manner of creative and excellent games.

(Click image to make it grow.)


RPG MAGAZINE Resources

 
In general, it would be true to say that RPG gamers need to go beyond the four corners of the creative works of RPG games. Adventurers, White Dwarf, White Wolf, Shadis, Arcane, Pyramid, D8, Last Province, Challenge, Warlock, Different Worlds, Kobold Quarterly, and Dragon are the periodicals. These works helped many gamers in their desire to expand, deepen, and make more rich the settings and game play found in their gaming. I have copies of each of them, and enjoyed them, even if I didn't altogether enjoy the games they served. I tended to enjoy the magazines from the UK, not because I am unAmerican or a Anglophile. The magazines were able to delve more interest, clever letter pages, and fantastic art. But, that is a matter of taste.



BOOKS TO FILL YOUR FANTASY LOVING BRAIN

Brian Jacques writing and a beautiful book cover made the enclosed image and book it represents very new, interesting, and a work of value. It is fantasy, seen through the eyes of many anthropomorphic characters. But it almost never, throughout the many books of Redwall, displays the use of magic. As such, the world and characters are the reason to read, not the action, not the great magic, it is a mysterious world, with great characters.

The King of Ys by Poul Anderson and Karen Anderson was as brilliant as other works by Poul Anderson, but it also had a soft feel to much of it. The genre was fantasy, but it is constructed to take place at the collapse of Rome. The Ys happens in history, as a country, similar to Carthage, a sea faring nation, led by 9 powerful sorcerers, and they then master the map we now would not recognize. For the magic and power plus curiosity, made the people of Ys the most powerful actors on our earth.

The book Hainish Novels and Stories by Ursula K. Le Guin is brilliant. I have found all of her books that I've read to be nothing short of excellent. This work views existence if instead of found on earth it was found elsewhere. And the development of genetic engineering and on one planet, the idea about, and experience with gender, is incredibly important, and perceived as exceptionally different that all other planets. That is, she recreates existence as being ordered, perceived as predictable or they follow a path that is understood. The removal of religion from the beginnings of the human form, lends to a different set of concerns, interests, and trust in the leaders of the greater society.

Gods in Darkness by Karl Edward Wagner is a collection of the stories that feature Kane, his anti hero character. The difference with Kane from Conan, would be that Conan often would end up making a moral choice, rather than to act in pure selfishness and violence. Robert E. Howard understood the lasting echoes of evil actions... you find it harder and harder to appreciate anything about the character. Kane acted with wisdom and intellect, but made choices that are immoral. A great warrior and accomplished sorcerer Kane could achieve most all of his goals.

Evangeline Walton wrote fantasy, and did so in ways that enriched the reading world. Her work, the Mabinogion tetralogy embraced the beauty of a world that was magical. Faeries and heroes, epic treks and beautiful vistas lead the reader to wish to embrace the life someone might live in this world. Evangeline Watson did not meet great sales with her books, but she was a cornerstone in ways, telling great stories, with a loving and flexible hand.


LINKS:

MY POETRY: AlexNessPoetry.Blogspot.Com 
MEDIA:  Poplitiko.Blogspot.Com 
PROSE THOUGHTS: AlexNessWritesv1.blogspot.com
My Published Works: HERE

Social Media
https://bsky.app/profile/alexanderness63.bsky.social 
https://x.com/alexnesspoetry

All works shown and/or considered are copyright the respective owners, fair use is the sole means of use asserted.

Thursday, July 23, 2026

Taste, in Fantasy differs from person to person

FANTASY: I AM SORRY TO SAY... 
By Alex Ness
July 23, 20206

It might not surprise you, for whatever reason you also enjoy the worlds of popular media, that in at least half of the emails or texts I receive, I get asked why I don't post much, at all, about works I didn't enjoy. No one ever likes everything. But that was never the my goal. I received so many items through the mail, from about 2002 to 2010, I couldn't write enough reviews to cover the good works, let alone spend time to shat upon someone's creative hard work. 

I don't like the idea that someone might shred one's creative work, with the agility of a hippo. I received many fine reviews for one work, but the one poor review was clearly about something they didn't read in the work. They were a famous libertarian, and posted about their own hatred of Vegans with bile. They thought because of my attention to a variety of ancient traits we still have as modern humans, that I was a vegan, and that I was a socialist. This was absolutely false. However, they weren't judging the work, they had decided that the writer (me) of the story was something they hated, and never tried to understand the actual story.

But I certainly do love Fantasy, and to make those writing emails or messages asking for a list of stinkers,  I am going to share works that didn't move me. Having said that, I trust that they may move you, will do so for whatever reason you have. It certainly doesn't effect my outlook, and it might give me a new reason to appreciate whatever was in question.

Films

I've mentioned many films I have truly adored. Across fantasy I loved Excalibur, DragonSlayer, I have liked the PJackson LOTR cycle, loved the Bakshi unfinished LOTR. It is a world of creation where there are memorable works. I enjoyed many films even empty headed. Sorceress was a stinker, but so bad it was rather funny. The Sword and the Sorcerer was bad overall, but had a number of fun and quirky aspects. But Willow worked so hard to be sincere, that it seemed cynical. Reign of Fire was a good idea, but it was soooo over the top and poorly acted, it couldn't be realized. DragonHeart, for me, was a stinker. It was filled with points at which I thought, ok, here it will be more than idea. It never did that. In 2000's Dungeons and Dragons, it made me angry for the crappola it was. It didn't feel like the world of imaginations found in various humans. It felt like it was a story told to allow the title, rather than to embrace the worlds already imagined. Of all the works, this was truly awful. 


RPGs

I have not played Earthdawn enough to crap on it. I get that. Some players might well have enjoyed it way the hell more than me. I played with bright humans, imaginative people, and we all abandoned the campaign in almost two seconds. It didn't feel authentic, it felt like a set of rules rather than a setting and system that was worth exploring. But despite the people, it could be it was better for younger aged players. (We were all 30+).


COMIC BOOK

I was never a collector so this isn't about cost and worth. At the time of the B/W explosion, independent works flourished, and that was great. However... some of the works were impossible to enjoy. The ADVENTURERS was popular for some stores. But finding copies on the shelf I was not interested. When I was offered at one store a reader pack of 10 comics for $3, I tried it. The art was unusual, detailed and not bad at all, but the stories were empty of value, a bit moronic. And the stories felt like they were written to kill characters in unusual and graphic ways. 20 years later, I found the first five issues, and thought what if they weren't so bad. They were worse even. In the time in life I'd be become more mature, and they felt more teenage male sick and cruel. It might be that the creative talents went on to be famous. I never looked them up. This work was putrid crap.


BOOKS

I know that the world of fantasy has a reader population that is great in numbers. So my own outlook is that whatever my views, the works, if popular in sales, is meaningless. That is, again taste is the reason for the difference and why some works are good, and others are stinkers. As such, I am not telling you what to like, what you think is wrong, why like something that moves you. I found Sword of Shannara to be truly annoying. I liked the Brothers Hildebrandt cover, I kind of liked aspects of the world built, but I never ever came close to liking it. There were areas of difference from other famous trilogies, seemingly just to say it was not a page by page analogue. More issues, were odd or stupid decisions by characters, poor character building, and other issues. I didn't like it, but all those things might have been perceived as new, different, valid, or interesting.


LINKS:

MY POETRY: AlexNessPoetry.Blogspot.Com 
MEDIA:  Poplitiko.Blogspot.Com 
PROSE THOUGHTS: AlexNessWritesv1.blogspot.com
My Published Works: HERE

Social Media
https://bsky.app/profile/alexanderness63.bsky.social 
https://x.com/alexnesspoetry

All works shown and/or considered are copyright the respective owners, fair use is the sole means of use asserted.

Sunday, July 19, 2026

UKRAINE V RUSSIA


A WORLD AT MODERN WAR
By Alex Ness (and source info boardgamegeek.com)
July 20, 2026


It has been a violent state of being in the Ukrainian/Crimean region. And it has gone on for 4 years. You might ask yourself if Trump won his greatly desired Nobel peace prize if he might have tried harder to stand between two neighbors fighting, one for its existential life, and the other for the hubris of a dictator. But whatever the rules and the parties and treaties, this war has called out sympathy in the heart of many, apathy in the minds of those already in a state of loss, and rot and despair in the average heart of people who just want to go home, watch tv, get a pizza, drink a beer.

It is unlikely that someone hasn't been aware of the war in Ukraine after invasion by Russia. It has become very clear that they do not understand the kind of war it is. I think mostly this is true because prior to such an event drones and satellites, striking oil resources and more, were thought to be last gasp choices. I no longer see them as such, in fact, I can see the lures of such kind of combat easily replacing human involved small arms or armored vehicles slugging it out. Shown below are three games that pay special attention to the current conflict, but, however good they are, focused upon the beginning do not fully capture the recent events and disasters.

PUTIN'S WAR

"Putin's War 2022" is a two-player historical wargame that simulates the early stages of the Russo-Ukrainian conflict. It combines an area-based combat system with political and economic interactions, allowing players to control either Russia or Ukraine. From the game designer Udo Grebe Gamedesign
.

2022: UKRAINE

This
 is a hex-and-counter wargame by CSL (Conflict Simulations LLC) that simulates the initial year of the Russo-Ukrainian war. Designed by Ray Weiss, it features specialized units like HIMARS and drones, and brutally honest mechanics that reflect Russian railway logistics and the chance of war crimes.


DEFIANCE 
Volume 1: Miracle on the Dnipro

Defiance: 2nd Russo-Ukrainian War 2022-? Volume 1: Miracle on the Dnipro is a wargame published by GMT Games that simulates the initial 2022 Russian invasion, focusing specifically on the Kyiv and Chernihiv campaigns from February 24 to April 1, 2022.


The game information has been gathered from Boardgamegeek.com

LINKS:

MY POETRY: AlexNessPoetry.Blogspot.Com 
MEDIA:  Poplitiko.Blogspot.Com 
PROSE THOUGHTS: AlexNessWritesv1.blogspot.com
My Published Works: HERE

Social Media
https://bsky.app/profile/alexanderness63.bsky.social 
https://x.com/alexnesspoetry

All works shown and/or considered are copyright the respective owners, fair use is the sole means of use asserted.

Slava Ukraini!

Wednesday, July 15, 2026

ERIK LARSEN featured creator at Baltimore Con 2026, an Interview

A DISCUSSION WITH ERIK LARSEN
By Alex Ness
July 17, 2026

BALTIMORE CON 2026 Features Erik Larsen and his prolific creations. Holy shizzle dude, that is very cool! Is it about your 280 plus issues, and all the events therein, or is it beginning a sort of count down to 300? When you reach 300 will the comic world be doing a happy dance?

Erik Larsen: I don't know about the comic world but I'll be pretty happy to have that one behind me.

How does one become the featured creative guest at conventions of note? Is there a process, do you enter your name hoping to be chosen, or do they choose someone for a specific reason?

Erik: That's more of a question for the convention organizers--not me. I don't generally seek out conventions at all-- I just respond to requests. NYCC is my only regular show that I'll attend on my own dime and that's because it's been so rewarding in every respect.

I'd like to ask some specific Savage Dragon questions, and about the making of Savage Dragon. How much work does it take to create in 300 issues the life of a feature character? For instance, how many hours does each issue require, and outside of doing it, and creating for an audience, is the product for the creator equal to the reward?

Erik: Clearly it's taken me a number of years to get where I am. I haven't tracked the hours but it's a lot. Even with a full head of steam and cranking away like a man possessed it's a lot of man hours. And that's not counting the letterers and colorists that help me get each issue out the door. Some issues have taken me several months to complete and the anniversary issues in particular take an extraordinary amount of time.

Some creatives in the comic world cannot maintain their focus for 6 issues, while you've done other work WHILE doing Savage Dragon, and mostly alone. Do the fans in the comic book buying/reading world understand all the labors, and determination it requires?

Erik: Until you've actually made a comic book you really don't have much understanding of what goes into it. But it's been incredibly rewarding creatively. In many ways it's been one huge conceptual experiment--to see if a comic book could be set in real time, and have characters age as we do. Throughout the series we've seen births, deaths, weddings and funerals.

Malcolm Dragon inherited the title from his father but he hadn't been conceived when the series began. Now he's 30-years-old with a wife and four kids. Readers have hung in there as the book went from being about a superpower cop to the leader of a government super-team to a single father raising his adopted daughter to the adventures of a high school kid to a family adventure and so much else. We've been to space and under the ocean and to other dimensions. The characters have really been through the wringer.

And I am eternally grateful to have had a loyal and supportive audience along the way.


I enjoy aspects of Savage Dragon that might violate unwritten rules. Your characters age. They procreate. They are different than most "heroes" and yet every giant alien creature gets the shit kicked out of it by the green skin fin head gang. Why would an alien defend the world he adopts? Is there a red and blue strong guy at a different publisher who first considered that?


Erik: The book can be a pastiche at times and touch on themes from various places in pop culture. Savage Dragon has been described as my love letter to the comic book field. I've done romance stories and science fiction, even post-apocalyptic stories and comic strip parodies.

And the Dragon teamed up with that strange visitor from another planet a couple times along the way, as well as Spawn, the Maxx, Invincible, Hellboy, WildStar, WitchBlade and ShadowHawk. More recently the book has included characters from the public domain--like the original Daredevil, Captain Tootsie, Mickey Mouse, Popeye and even Dagwood Bumstead!


Is there such a thing as a preexistent perception of good, that aliens and humans would recognize as being an obvious value?

Erik: I think so. I think there's obvious good and evil, even if some seem to celebrate a bad boy who gets away with things--for the most part we know what we're looking at. We recognize greed and cruelty and I think that's universal.

Of all of your works that are cross overs which were the most difficult. Of the cross overs, which were so fun/result was so good that you'd be happy to do more?

Erik: The most difficult was the Superman crossovers just because of the contractual hoops that needed to be jumped through. The others have largely been handshake deals. People can be awesome--and those are the ones I seek out. If you're in the business and you're not working on your favorite comic book--you're doing it wrong.

How is the energy different working on a comic or run of your own character, versus that of some other creator or publisher? Does that reinvent yourself when returning to your own book?

Erik: It's a completely different experience. On my own I can impulsively decide to do anything that I want. Working at a company--everything needs to be run past an editor who can approve or reject anything that I propose. Whenever I do a project elsewhere, whether it's writing or drawing, or both--it can't help but make me appreciate what I have on Savage Dragon that much more. 

Left to my own devices I wouldn't do anything as extreme as I have on my own book, certainly, but there are definitely things that I've wanted to do that I just couldn't do and even little dialogue tweaks can't help but grind my gears to some extent. Then I step back on Savage Dragon and there's nothing in the way. Literally nobody that can say no. And it's incredibly liberating.

Thanks Erik!

Find Erik at
https://www.savagedragon.com/
https://www.facebook.com/erik.larsen.75
 


All images are copyright their creators and use is fair use only and no rights claimed.

Saturday, July 11, 2026

PROSE WORKS OF MIKE BARON

A MIKE BARON BOOKAPALOOZA
By Alex Ness
July 13, 2026

Mike Baron has written hundreds of comics.  And he has written 20 prose novels. He has created fandoms for his work, his humor, his imagination, with his ideas, words, and his ability to make his characters speak the way your mind would suggest they should. His works of fiction feel like truth, a concept known as Verisimilitude. As the Meriam Webster Dictionary says: Verisimilitude is the quality of seeming true, real, or believable.

Derived from the Latin verisimilitudo (meaning "likeness to truth"), it is most frequently used in literature, film, and art to describe the internal consistency and realism that makes a fictional world feel authentic to the audience. When you have a super powered slayer of Serial Killers, the ideal might be a balance between power and selfless obedience to the calling of the power. The Nexus character does not struggle over selfishness. He does not accept accolades of praise from those with less power. It feels righteous. As it would.

The works of Mike Baron are of high quality. The person behind the works, is generous, kind and thoughtful. The worth of his writing life for others as a mentor, a person and friend, is immense. I know people on both sides of the political divide who admire and call Mike a friend. He has his own values,  none being knee-jerk reactions. In a world devoted to cancel culture, he doesn't make people stand in lines of allegiance to him or of various other political opinion. He is a good man, and one I am fortunate to know.


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